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Ajanta caves in Deccan basalts
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Ajanta
is a renowned name in the world of architecture.Amidst a picturesque
landscape of Deccan basalt,101 km north of Aurangabad in Maharashtra,there
occurs a small hamlet-Ajanta.It has 30 Buddhist rock-cut caves,unique
sculptures,carvings and mural paintings. The Ajanta caves possess
an invaluable treasure of Indian art which imbibes inspiration
in the art-loving people of all generations.The facades of the
Chaitya halls show intense ornamentation and carvings.Rocks were
hewn out to make figures of classic qualities.The entire course
of the evolution of Buddhist architecture can be traced in Ajanta.During
this time,images of Buddha on his different life stories and several
types of human and animal figures were carved out of in-situ rock.
All sections of people of the contemporary society
from kings to slaves,woman,man and children are seen in the Ajanta
murals interwoven with flowers,plants,fruits,birds and beasts.There
are also the figures of Yakshas,Kinnas(half human and half bird),Gandharvas(divine
musicians),Apsaras(heavenly dancers)which were of concern to the
people of that time.One thousand years of neglect,and exposure
to the hostile elements of nature have damaged many of the beautiful
works of the past but those which have survived in caves 1,2,16
and 17 can be ranked high among the greatest artistic works of
the contemporary world. The Ajanta caves are excavated in a semicircular
scarp of 75 m height overlooking a meandering stream,Waghora that
descends as a steep ravine with seven leaps.The caves have a horse-shoe
pattern of arrangement covering a stretch of 550 m.Their floor
levels are not uniform and they have got no symmetry in their
subsurface distribution probably due to their excavation in different
times.The individual caves were earlier isolated but are now connected
by steps
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The Ajanta caves
have been cut into the 200 m-thick Deccan trap basalts.The thickness
of individual flow varies from 1.5 m to 30 m.The various types of
traps recognised in the caves are: 1. Vesicular (a) hard vesicular
with or without amygdales-porphyritic/non-porphyritic. (b) soft vesicular
with or without amygdales-porphyritic/non-porphyritic. 2. Massive
(a) coarse-trap-porphyritic/non-porphyritic (b) fine trap-porphyritic/non-porphyritic
There is no significant variation in the mineralogical composition
of the various flows occuring in the caves.There is no folding,faulting
or tilting in the trap of the area.Ropy structures are prsent in several
caves. In the excavation and carving,the soft vesicular variety is
generally chosen for their ease in cutting.The vesicles in the basalt
are usually filled with zeolite which falls off due to weathering
giving the pitted appearance as seen in many of the sculptures.Two
kinds of joints are prsent in the rock: (i)horizontal with spacing
2 m or more and (ii) steeply dipping towards NNW or ENE.Contraction
cracks(up to 30.5 cm wide) formed due to cooling of basalt and later
filled with material of subsequent eruption,are also present. |
Profusely carved rock-cut
Chaita Hall
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Female figure : with a parrot
in hand
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Ajanta cave: Buddha in
repose
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A distinct method
was followed in the excavation of the caves of Ajanta.The layout was
marked on the rock-face and the rock-cutting was started from the
top and continued downwards towards the floor.The facade-doorway and
the verandah were dug uot first and then the interior portions like
the central hall, antechamber an cells were excavated. In the two
or three-tier caves, cutting of rock started from the topmost tier.
A sharp pick-axe was used to make deep incision into the rock followed
by breaking of the intervening rock mass till the floor was reached.
Solid columns of rocks were left as supports, wherever necessary.
Though a pick-axe was used initially for the excavation, the finishing
and carving were done mostly by hammer and chisel. The entire works
of quarrying of stones, dressing and finishing were done simultaneously
with great care and precision. The pillars of large halls are 3 m(0.75
x 0.50 m) to 6m (1 x 1m) high. The spacing of the rock pillars in
the verandah varies from 1.5 to 3.5 m and the height from 2.6 to 3.5
m in the verandah. The pillars and columns are circular, squarish
or octagonal in cross section. The lintel length cut in the rock varies
from 1.5 to 4.2 m. Where the rock cover is 50 m or more, the verandahs
or chambers up to 21 x 15m and galleries and halls up to 15 x 6.5
m are not supported with pillars as the rock is self-supporting at
such places. From the methods of excavation and support followed it
seems likely that the ancient builders had sufficient knowledge of
the principle of single and multiple beams and cantilever system for
distributing the loads. |
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